Birdman or the Unexpected Virtue of Ignorance Interview. At The Movies speaks with writer/director, Alejandro G Inarritu, actors, Emma Stone, Edward Norton, Amy Ryan, Andrea Riseborough and Michael Keaton. Times entertainment news from Hollywood including event coverage, celebrity gossip and deals. View photo galleries, read TV and movie reviews and more. Evidence shows that women are less self-assured than men—and that to succeed, confidence matters as much as competence. Here's why, and what to do about it. Entertainment News, Celebrity and Pop Culture. Music video by Rick Astley performing Never Gonna Give You Up. Get the latest entertainment news, celebrity interviews and pop culture pulse on movies, TV and music and more at ABCNews.com. The 2. 2 Best Movies Of 2. Nine official adaptations, three moving romances, two historical dramas, and one horrifying storybook are among some of the films on Huff. Post Entertainment's list of 2. In a year where 1. Our list doesn't include . Which means there's more than enough to fill the next few months' wintry weekends with the movies you didn't manage to catch in theaters. Any of the aforementioned titles will do, but we especially recommend the following 2. Warner Bros. As directed by Doug Liman, . Cruise is inspired as the cowardly lieutenant colonel, but it's Emily Blunt who steals the show. Playing a true war hero (and propaganda symbol) who helps Cruise through his time- travel loop, Blunt is the year's most awesome action star. If only all action movies took as many risks as Liman and his cast do here. And it is, but it's also an artful tale of a man (Favreau) determined not to let his stature dwindle. That goes for his status as a respected California chef and his relationship with his doting preteen son (darling breakout star Emjay Anthony), with whom he sets out to start a bustling food truck. Their road trip takes them to Miami, Austin and New Orleans, giving us a mouth- watering cultural fusion that turns into a heartfelt look at familial bonds and midlife self- discovery. With a supporting cast that includes Scarlett Johansson, Sofia Vergara, Dustin Hoffman, John Leguizamo, Bobby Cannavale and Robert Downey Jr., a kicker here about how . But none had the sustained laughs and auteur stamp of . It's also the kind of movie that asks tough questions about fame, addiction and race relations in a way few comedies dare dream. Rock has never had a platform like this before, but the hope is that he will again. As Allen's films fade into a kind of dusty obscurity (. That's what happens when a movie's protagonist is a subterranean kid named Eggs who's been raised by a pack of benevolent trolls with no concept of species, gender, race, age or sexuality. If that sounds like the basis for a utopia or perhaps just another think- piece, fear not: The stop- motion film, directed by Graham Annable and Anthony Stacchi, is fun to experience and look at. Its underworld and the aristocracy that wants to squash it provides some of the year's most imaginative escapism for those of all species, genders, races, ages and sexualities. Maybe it won't take so long for director Gina Prince- Bythewood's latest film, . An old- school Hollywood romance that doubles as a modern investigation about how the music industry over- sexualizes female performers, . It features what should be a star- making turn from Nate Parker (get him a Bond movie) and transformative work from Gugu Mbatha- Raw. In a better world, Mbatha- Raw would be in the thick of the Best Actress race for playing Noni, a pop star who strips away the artifice of her record label (and her stage mother, played by Minnie Driver) to find an honesty that she has avoided since youth. Put her in all the movies. This is a three- hanky movie, at minimum; an ugly- cry special for the ages. Based on John Green's best- selling book, . Ansel Elgort is our new Tom Cruise based on this one (he's just so damn charming), while Shailene Woodley continued to prove she's the Ally Sheedy to Jennifer Lawrence's Molly Ringwald. There's a reason Woodley graced every magazine cover this year that Lawrence did not. That's not just pretentious lip service either: Because of an opaque plot, one that involves a missing real estate mogul, a cabal of dentists, a surf- rock saxophone player and a drug- addled detective named Doc (Joaquin Phoenix), audiences might get too wrapped up in connecting the dots on a first view. The second time around, things not only clear up - - the plot does make sense in its own absurd manner - - but fall to the wayside, leaving the joys of Anderson's melancholy period piece to take center stage. Props to cinematographer Robert Elswit and composer Jonny Greenwood for helping Anderson realize this dusty vision, one that deals with loss of innocence and the meaning of brotherhood better than any other movie this year. But when a dignitary known for his distinct voice loses the ability to speak, he's forced to rewrite his legacy. That's what we witness as Steve James trails Ebert's final days, before he died at age 7. Except the thesis of . An unapologetic force of American culture, Ebert's illustrious tenure as the nation's favorite film critic and the blemishes that bubbled beneath the surface of his striking prose become one of the year's most wrenching films. Night Shyamalan atrocities. Jennifer Kent's Australian chiller is also the most astute debut feature of any genre this year. The tale of a macabre storybook that when read summons the titular creature for a lifelong haunting, . Questions about imagination versus reality and the bleak fibers of dismissing one's demons become the film. It's a little bit of both: the best movie Marvel's ever done and the most enjoyable summer blockbuster since . Pitiful multimillionaire John du Pont (a shocking Steve Carell) looks to his Foxcatcher Farm, a compound for Olympic wrestlers in training, to exact his misguided self- worth. He recruits two talented brothers, Mark and Dave Schultz (Channing Tatum and Mark Ruffalo, respectively), who mirror everything du Pont thinks he needs: a prot. That is, until du Pont's instability rears its intemperate head. All three men suffer, and all three actors submit career- best performances, spurred on by the arctic tone director Bennett Miller masterfully employs. They were a thing once, something . Written and directed by Gillian Robespierre, . Would it do more good or harm? Let's just say that during a weekend away, a couple (Mark Duplass and Elisabeth Moss) stumbles upon a bizarre way to return to the glory days of their now- crumbling relationship. Its surreality makes . Still, you'll be surprised how long the movie's quiet existentialism leaves you thinking. The standout here is Reese Witherspoon, who gives her best performance in an age. But also take note of Vall. This is a beautiful movie. Furiously told and infuriating to watch, Damien Chazelle's stormy portrait of a vicious music instructor (J. K. Simmons) and his dedicated pupil (Miles Teller) offers a ride so wild that you'll feel like you're standing in middle of a 1. Simmons and Teller are masterful, shattering every teacher- movie trope in favor of an invigorating look at the lengths a person will go to exact his passion. Predominantly set between the wars - - but also in three other time periods - - we find ourselves in the pink- colored halls of The Grand Budapest Hotel, and in the care of a hand- kissing concierge (Ralph Fiennes). What follows is a zany goose chase around the European countryside. It's certified Wes Anderson twee mixed in with some genuinely poignant notes about life and loss. Russell, Paul Thomas Anderson and Spike Jonze were connecting with big swings. Dan Gilroy's directorial debut is an amalgam of . At the center is Jake Gyllenhaal as Lou Bloom, a tightly coiled lost boy who finds his calling as a freelance news videographer. Lou's a Horatio Alger for the modern age, and the lengths he goes to remain a success are horrifying and hilarious, often at the same time. That's because Richard Linklater spent 1. It's all so good and effortless that people might take . Don't make that mistake: We'll never see a movie like this again. It's two hours of constrained frenzy, the tonal ebbs and flows as electric as the outsize personalities involved with the Broadway production that's meant to double as washed- up actor Riggan Thompson's (Michael Keaton) career comeback. Underneath Alejandro Gonz. Filmed by Emmanuel Lubezki (. As long as the films continue to be as good as . In translating Gillian Flynn's best- selling novel to the screen (with a tight script written by Flynn herself), Fincher has created a black comedy for the ages. As Nick Dunne, the bro with a wandering eye, Ben Affleck has never been better. He's matched by Rosamund Pike, as Nick's wife, Amazing Amy, who gives a performance that would have made Alfred Hitchcock nod in approval. The supporting cast is just as strong; shouts here to Carrie Coon, Kim Dickens and, lol, Tyler Perry because Fincher decided he could literally do anything in this movie. Like the best films, . In an era of giving audiences what they want, praise to Fincher for giving us what we can debate. Finally permitted to marry after 3. Ben (John Lithgow) and George (Alfred Molina) are forced to bunk with relatives when the latter loses his job at a Catholic school. It's through this temporary separation - - and their purposeful reunions - - that we learn how much these men mean to each other. It may be the most wistful use of a couple's time apart ever used to exemplify such a rich connection. Concise, subtle and bristling with understated humor, . Martin Luther King's battle to get equal voting rights for all citizens in 1. David Oyelowo is excellent as Dr. King), a thrilling dissection of political process and a reminder about the power of optics and strategy when it comes to mounting social change. In its structure, the comparable is . Together, they create some of the year's most indelible and beautiful images, while Du. Vernay herself exhibits a Spielbergian skill in the way she handles scenes of domestic bliss and strife. It's a movie that has time to stop for moments of both levity (Wendell Pierce aka Bunk from .
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